On Gauntlet Episode 86 I mentioned that I used to play FFG’s SWRPG system with my boys when they were 3-4.

On Gauntlet Episode 86 I mentioned that I used to play FFG’s SWRPG system with my boys when they were 3-4.

On Gauntlet Episode 86 I mentioned that I used to play FFG’s SWRPG system with my boys when they were 3-4. Listening to the episode reminded me that I actually recorded, edited, and subtitled some of those sessions in a now abandoned attempt at an actual play series. Here is the link to Session 1 in case some of you might find it entertaining. Subtitles are fairly mandatory, and are only visible in Session 1 if watched on a computer.

They play as clone troopers who survived Order 66, and generally just want to jump over things and “pew them.”

https://www.youtube.com/watch?v=TGVeLMeTE0Y

The Hooded Luchadore looks at the most recent Gauntlet League Wrestling show from Atlanta.

The Hooded Luchadore looks at the most recent Gauntlet League Wrestling show from Atlanta.

The Hooded Luchadore looks at the most recent Gauntlet League Wrestling show from Atlanta. Face turns, zombie guts, porcine interventions, and new feuds. A look at our latest World Wide Wrestling rpg session.

We still have room for one player in this coming Sunday’s session (2/19). Give me a heads up if interested. For the actual play see http://bit.ly/2kC4xad

https://youtu.be/B6S2NKxywuc

I don’t use hex maps (or, really, maps at all) but I am drawn to this. Very tempted to back…

I don’t use hex maps (or, really, maps at all) but I am drawn to this. Very tempted to back…

I don’t use hex maps (or, really, maps at all) but I am drawn to this. Very tempted to back…

https://www.kickstarter.com/projects/cecil-howe/hex-kit

Here’s the latest play report from the Sat. Morning Cartoons Monsterhearts 2 game.

Here’s the latest play report from the Sat. Morning Cartoons Monsterhearts 2 game.

Here’s the latest play report from the Sat. Morning Cartoons Monsterhearts 2 game.

Originally shared by Yoshi Creelman

Mercy Falls High [MH2] – Session 2

Characters

Serina – Vampire played by me.

Margo – Werewolf Kevin Lovecraft

Jonah – Queen Phillip Wessels

Lillith – Fae Fraser Simons

Everyone else (MC) – Jason Cordova

Scenes

The after school bell rings, we see an aerial shot as all students are filing out into parking lot. Streams of students lining up for lines of buses, and lines of cars. Dolly in and see Jonah directing his crew to look for Austin. Everyone asking other students, we see Margot in the background overhearing the questions. She comes drifting up to Jonah. “I hear you’re looking for our little buddy Austin, I can smell the Axe, I know he’s around here somewhere. What are you trying to score?”

Jonah gazes into the abyss, and discovers, Austin, trying to make himself not found. The Vice Principal is calling people in, “Do you know anything about Kyle Norwood?”. Austin is afraid he’d get implicated.

Cut back to Jonah replying to Margot, “Weed, do you have any extra, I can pay you, well I can’t pay you, but Tony can pay you. I just need some to make a blunt.” Margot takes out her stash and hands it over so he can take some, “You don’t mind if we take it all, do you?” A slight hesitation, then she just nods.

Short scene with Allen trying to get Serina to go get high with Margot and Austin. Seems like it could be fun, so she agrees. Allen goes off to find and talk to Margot.

Seeing Allen walk away, Lilith takes the opportunity to create an intimate moment and lead Serina away. They walk to the Double Q dinner.

Allen follows Margot. He tries to be slick and unnoticed… but is just super creepy. Every time Margot turns and looks Allen is still the same far off distance away trying to “look casual”. Margot can just smell him, eventually get’s fed up, “Hey creeper come here.”

Allen walks over and tries a super awkward hand slap/fist bump/high five failure, “Serina and I heard you had some stuff… got any to share?”

“Sorry, no, passed my last baggie to Jonah. Austin would be your guy, but he’s hiding from the Vice principal, but I should be getting some stuff later, meet up at the flower gardens in the woods at 7:30?”

“Perfect” again super awkward hand slap.

Cut to Jonah, two story house, but rundown, Jonah walks in, the handle is a little jiggly, he opens the door. His are parents watching TV in living room. His father, Bob, is on disability. His mother, Mary, sells NuLife (Avon). They’re both into religion. Jonah tries to be quite, but door squeaks, “Oh hey honey, how was school?”

“It was fine”

“Why don’t you come in here and tell us about it?”

“I got to go.”

“You’re going to be here tonight, for the NuLife party, right?”

Jonah pauses looks her in the eyes and turns away, “Yeah, I’ll be here.”,

“Jonah, I wasn’t born yesterday, I didn’t just fall off the turnip truck, I was super embarrassed last time when you didn’t show up. After I bought you that suit and everything.”

“I have some studying with Tony, I’m just worried I’d be late.” Keep your cool roll (total success). Jonah wants to know what can he do to get Mary to obsess over something other than Jonah. Ben is the thing. “I was talking to Ben, he was saying he wanted to hang out and help out.”

“He’s a nice boy, he certainly doesn’t have as many tattoos as you.”

Cut to the Double Q dinner, it’s like stepping into the past. Formica floors, turquoise booths, chrome jukebox. A Woman, Norma, owns and runs the joint. She was really popular in high school, now pushing 40, is a little faded, now she’s working at the local dinner. All the older guys still come in and have their high school drama with Norma. It keeps them coming in.

Lilith and Serina come in and order a chocolate milkshake to split, they go sit in the back booth. They talk how it was nice when Kyle worked here and you could just smile and get a free milkshake.

Since they are the only two in the Dinner Norma comes over and chats a bit. She mentions Ben, Serina looks at Norma, “Ben isn’t the guy you would have gone out with in High school.”

The bell over the door rings, Norma leaves the two to go greet the new customer. A tall, wide, older, man in a soft yellow suit, bolo tie, cowboy hat, and boots strides in. He’s got an imposing demeanor, he and Norma chit chat softly. We can hear Norma speak up a little bit, “I don’t know about that, but can I get you a cup of coffee or a piece of pie.”

Lilith, “I think that’s her type, not Ben.”

In a voice, higher than you would expect for someone with such a large frame, “What’s up with you ladies?”

Serina, sensing an opportunity, stands up and sashays over, hand grazing his back with her hand stands on the opposite side of him, right next to the Pie display. Letting her hand drift from his shoulder to right in front of a piece of pie. “Sometimes what you want is right in front of you.”

Cut to Chad outside his white Camaro, with some of his jock guys, he sees Margot approaching. “What the fuck, you not done messing up my life?”

“You said you were going to get the $120, we got a couple hours.”

“It’s in my room”, looks to his car, we see Margot nod, and walk to the passenger side.

Cut to them in the car on the road. Chad puts his hand on Margot’s leg, she stiffens up, we can almost see the wheels turning in her eyes, as she just lets the hand rest there. “You’d be real pretty if you didn’t dress like a dike.”

“Nice talk, straight to a girls heart.” Margot takes his hand off her leg, puts it on the gear shift. “Let’s go.”

Chad’s house is beautiful, large picturesque. “Well, this is my house. Not something you’re accustomed to, cause you live in a trailer right.”

“Fuck you very much Chadwick, let’s get my money.”

“Alriiiiiiiight”, he says exasperatedly.

The Hispanic housekeeper, Maria, opens the door. Chad looking to Margot, “You hungry? Want something to eat?”

“What, like the cucumber sandwiches in the TV shows?”

“Yeah… Maria, make us some sandwiches we’ll be in my room.” As they walk up, “They’re actually pretty good, crusts cut off, cut diagonally”

Open on Chad’s room we see an acoustic guitar which has never seen any play just hanging on display. An ego wall full of trophies and the rest of the wall space is covered in posters of women in bathing suits posing sexually. On the trophy wall, we see a single picture of Chad and his little sister together. They both look genuinely happy and sweet.

Cut to Jonah popping collar, tucking jeans into his boots, doing push ups, and then walking to Ben’s front door. He knocks and leans on the post on the front porch. We can hear the Ukelele. Jonah looks into the window, sees him plucking and watching instructional videos. Jonah rings door bell and waves through the window.

“Hey, Jonah, what’s up?”

“I just wanted to know if you come over and help out. My mom has this NuLife thing and well I thought you could help.”

“I’ve got this science exam, I should be studying for.”

Jonah looks up gaze at him, turn on, Ben slips and stumbles out of the door, into Jonah’s arm, lingers a little a bit, Jonah straightens him up, “Who cares about science anymore, Science isn’t important in this country anymore.”

“Oh well, my mom needs people to help, be friendly faces, but um… do you think you could change into something a little more… preppy… just go get changed, and meet me at my place.”

Jonah walks back home, just next door, “Ben will be over in a moment”, We follow Jonah as he goes to his weird pantry room converted into a bedroom. It has a cot, tile floor, an old tv and an old Nintendo NES. On the floor, there is dirty laundry, a pizza box, and a black duffle. Jonah walks over the duffle, unzips and pulls out a stag skull mask, checks it over and places it back in the duffle.

Chad strolls around taking off his shirt. Margot looks appreciatingly, “Damn son, that’s a pretty nice body you got there.”

“It’s my gift, I can get you to switch teams.”

“I don’t’ know, you got my 120?”

“God your busting my balls lets just relax, Maria’s going to bring some cucumber sandwiches.”

“You weren’t kidding. Oh god, you are really messed up.”

Chad goes puts hotel do not disturb sign on the outside of the door. Margot jumps him as he turns around and throws him to the bed. Margot’s sex move, biological imperative. Chad is now her property, Jessica Jones Luke cage bed scene, hard on the bed.

Cut to see Jonah’s front door as we hear him call to his Mom, “I got to check in with Tony, I’ll be right back.” We see him exit as the door closes we cut to Jonah and crew at the pond.

Tony is reluctant, trying to step back, “I’ve got to go, I got a doctor’s apt. I can’t stay today, I can’t do this today.”

Jonah knows he’s lying. Jonah starts undressing him, “You know it doesn’t work if we don’t all do it, we all have to plant the soil.”

“Alright, look, can I just go make a phone call real quick.”

Smile at him, “Sure.”

“Just to tell the doctor”

Don comes up, “Dude, Tony has been acting real strange.”

“I think he’s been distracted lately.”

“By what?”

“Girls I think.”

Cut to Lillith and Serina in the booth. Lillith extracting a promise from Serina to not lead her on. Serina looks down to her phone and sees she missed a call from Tony, who she was planning on meeting at the Dinner. She listens to the message and turns to Lillith, “my thing got canceled… want to get out of here?”. Lillith nods takes her by the and-and leads her out of the Dinner.

Pan to Rody rolling up joints. They all are using mud to make swirls on each other. Using the mud to highlight muscles. Jonah takes the mask out of the bag and puts it on.

Weird distorted cuts and visual artifacts as we see Jonah fucking Tony. Sharp cut and we get a perspective shot of 4 trees with 4 young men hanging upside down, each by their own peg hammered into the tree. Each has a look of terror on his face.

First one is Tony, flailing around and freaking out. A pair of small girl hands, with a ruby ring (Serina’s ring) reaching into frame trying to calm him down.

Second is Rody, alive but looking pale.

The third is Don.

The fourth person is dead, it’s Kyle Norwood. A desiccated corpse with his skin all vacuum sealed over his bones.

Snap back, Jonah has wrestled Tony to ground, staring at Tony through the stag mask, with his hand on Tony’s throat.

Cut to the townhouse, Lillith’s home. It has 5 floors but each floor is very small. The bedrooms are at the top, her mom is big exec in the city. Now that her parents are divorced she now lives in the city. Her dad is a deadbeat, Rod, like Chad, reliving glory days. He stays at home and listens to vinyl records “Summer of ’69”. Gloss eyed and missing things constantly mumbling how old days were great, never actually acts on things to make things better. Lillith and Serina rush by and run upstairs door closes, from downs stairs we hear, confused sorrowful cry, “Honey?”

Cut to Chad smoking a cig by the open window, “Your money’s on the nightstand.”

Margot putting on her clothes, grabs the money, “What, no tip big boy?”

“That was a kinda wild ride, not really what I was expecting.”

“I’m just glad you aren’t going to be a clingy little bitch.”

Chad blows smoke out the window and takes a deep breath, “You’re kinda in with Austin, right?”

“Well, I was short of cash, he fronted me. I’m just trying to get some goods.”

“I just thought you knew people”

“I know people… what are you asking?”

“I got this guy… I owe him some money, he’s a much bigger problem than I was for Austin. This guy, he’s from the city, all big business, not some high school kid.”

“What’s his name?”

“I only know him by his internet name, ShadowMaster55”

“What’s the deal, is he your alternate supplier?”

“I’m in deep, you might not want to hear about this.” She just nods for him to continue. “Last summer my parents cut me off, I was looking for some extra cash, I live in this big place, but I can’t send sell my parents rep at the mall. I told him I would sell for him, but I couldn’t manage the product, to the tune of 10,000. I don’t know what’s going to happen, but I’m afraid. I think I’m done for.”

“If I’m going to do this for you, I’m going to need some tokens.”

“Like what, sex again?”

“No, got any of the product left? I got to hook some others up, give me some stuff and we’ll see what can happen.”

Cut to Jonah cleaning up in the Pond. Washing Tony, intimate and sexy turn on Tony.

“You know Serina, right?”

“Yeah.”

“I had this vision, I’m worried. I don’t’ trust her, I think she’s going to come for us.”

Jonah puts the mask in the bag, looks up to Tony, “The forest showed us hanging from trees and scared, and Serina was there, and we were scared of her. She wasn’t untying us, I mean I didn’t see her do anything. Don’t trust her.”

Tony nods as they finish packing up.

Cut to Lilith’s bathroom, Lilith get’s Serina to help teach her out to apply makeup. Serina makes Lilith choose which color lipstick. She chooses the bright blue. Serina takes the deep red, extreme close up of Serina’s lips as she applies the lipstick, then leans in and kisses the mirror. Lillith steps back leans against the light switch and the lights go out (though we can still make out their bodies and features… this is TV after all). Lilith reaches forward and rests her hands on Serina’s chest. Serina gently grabs her hands and places them back on the counter.

“What’s wrong with me?”

“It’s not you, it’s me.” an awkward pause, “Hold still” Serina caresses Lillith’s face and brushes her hair off her neck and leans in, but as her lips approach Lillith’s neck we see her fangs come out as she bites Lillith.

Margot at home in the kitchen making dinner. Her mom. Evon works two part-time jobs and isn’t present. Her dad, Ken, is a drunk is in the living room. Margot is essentially alone.

“Hey little girl, what’s going on?”

“I can see you did a lot today?”

“I don’t’ have to justify myself to my daughter”

“Fine what ver, how do you want eggs?”

“Scrambled but you overcooked them last time.” He then continues to bark instructions on cooking eggs, “I wonder when you are going to listen to all this wonderful advice I’m giving you. I know you go out there, into the forest, what you got a boy? a girl?”

“I just don’t want to be here.”

“We’re just not good enough for ya? Your mom works two jobs, I’m holding this place down.”

“Oh, how’s that couch going, getting really out of hand there.”

“Just make my fucking eggs.” Pause. “Look some guy, some big guy, wearing a cowboy hat, came around looking for you. Old guy, fucking huge.”

“What?”

“He said, ‘is your daughter Margot’ I asked him who’s asking. He gave me a big schpeal on questions and who gets to ask and who gets to answer. What’s the deal?”

“Nothing I don’t know him at all.”

“Oh, he just knew your fist name, and your address, it definitely seems like you don’t know each other.”

“Fine, whatever!” Margot slams the pan down, “Your eggs are fucking done.” and storms off.

Cut to Jonah sneaking back into his house, trying to be quiet. At the entrance, his mom notices, “Jonah, decide to grace us with our presence, Ben was really helpful, he’s a really nice boy, you should hang out with him more, I think it would be good for you.”

“Yeah, we hang out a lot at school.”

“Do you? He brought his ukelele over, I made a lot more sales because of it.”

Ben is glowing, really enjoying the attention he’s getting. “We had a really good time, Jonah, I wish you could have been here.” Jonah stomps over to Ben and pulls him by arm towards the door.

“I’ll be seeing you tomorrow” and pushes him out the door, and shuts it as Ben is still talking.

Jonah walks back in scans over the food. Ignores the vegetables.

To his mom, “I’m glad Ben was helpful for you.”

“He’s a really lovely boy, did you know he’s going to be an environmental scientist, it’s really lovely, we need more of that in this country.”

“Yeah, whatever”

“I just feel if we had given you more direction, guidance, things might have worked out differently for you. Why can’t you be more like Ben.”

“I don’t know mom, Maybe I could be more like Ben if I didn’t live in a shithole if the door knob wasn’t broken, I didn’t sleep on a cot in a pantry!” Mary gets ‘enraged’, goes off the handle, throws a wooden spoon in the sink, and other nonbreakable stuff. “Just wait until your father gets home, just wait until he gets home.” and storms off.

Jonah is not going to wait for his father to come home to take a belt to him. He sneaks out the front door and goes off to Mr. Thompson’s house, teared up a little, trying to be stoic, but we can see the glisten in his eyes.

Lillith pushes Serina off, but Serina pushes her back to the wall and doesn’t stop until Lillith can’t stand on her own and slumps to the floor. Serina brakes her promise of not going too far and gets condition “drunk on you”, Lights come back on and flicker.

Margot talking with Allen, “You still want to do this tonight?” Allen, a little nervous, cause he never got a hold of Serina, “Yeah.”

Jonah at the door, it opens with Mr. Thompson gazing expediently.

Cut Serra the straight A student activist captain of the debate team also happens to work at the Double Q at night. She drives up the dinner, goes to doors, but they’re locked, sign has been turned to closed, Camera swoops at empty dinner, jukebox is playing Patsy Cline, “I Fall to Pieces”

Smash cut to Norma’s face with two massive hands with yellow sleeves choking her to death, we can still hear Patsy Cline in the background, then the jukebox switches to Radio Head’s “Creep”, cut to black.

Thoughts

There were a couple of problems with moves, where they felt a little different, different than what we were expecting from MH1. Specifically “Keep your cool”, did not quite what felt right in the moment, especially given the available options. The options didn’t really fit in with a general “Act under pressure”. “Gaze into Abyss” is now about naming something you are trying to find rather than asking a question.

The lack of highlighting definitely affects the meta information for how you direct and encourage the game. Right now we have a character group where only one character has a positive Dark score. In MH1, you could just highlight Dark no matter what and watch each other flail at gazing into the abyss. Now, without highlighting, we’ve lost the lever to mechanically reinforce, “Just go be dark, introspective, and monstrous, screw the consequences.” Oh you can still do it, and it would probably work out very similarly… there just feels like some weight missing when someone isn’t straight up telling you, “I want to see you be dark this session”.

I’m bad at continuity, in session 1 I couldn’t be seen in a mirror… now in session 2, I have a whole scene about putting makeup on in a bathroom with a mirror.

We’ve had a lot of good slow build for drama so far… I just some more pay off. It seems like we have separate storylines going… and I want more people at more people’s throats (whether it’s kissing, strangling, or biting). I want the PCs to have more interaction with each other. Lillith and Serina are together, which is great, now we just need to get Margot and Jonah to join.

For the next session, I want to follow up on the guide move from Lillith. I want to be in the forest (with it actively trying to kill me). Since I have the can’t enter a home move… I sort of want to be stuck out in the forest trying to get into a “home”. All of these can be related together.

I want to see the forest and/or The Big Man strike hard, and the repercussions. I want someone to go darkest self. I want Lillith to get more promises. I want Margot to do some violence. I want Jonah to ensnare new members. I want I want I want…

!!!!!!

!!!!!!

!!!!!!

Originally shared by Andrew Medeiros

We’re live! The Watch Kickstarter is a go. Anna Kreider and I hope you are all able to support our campaign to bring this game to life and get it into as many hands as possible. Whether you’re able to help us out by backing the project or by sharing it in your online gaming circles, we’d really appreciate the assist. Thank you so much everyone!

https://www.kickstarter.com/projects/medeiros/the-watch-rpg

The Gauntlet Houston began a new foray into the feverish future last Wednesday with our first session of The Sprawl.

The Gauntlet Houston began a new foray into the feverish future last Wednesday with our first session of The Sprawl.

The Gauntlet Houston began a new foray into the feverish future last Wednesday with our first session of The Sprawl. A dystopian cyber punk PBTA game by Hamish Cameron. Because I was finishing up a classic DW short, I will leave the words of Kevin Whitaker to give the game its due.

“The wind was blowing cold and hard off of Lake Eerie; locking the city down in a static of ice and smog. Through the haze, the glow of ancient neon splashed gaudy color across the backdrop of rust and decay that was Old Detroit.

I’ve been playing and running RPGs for a long time, and while I’m almost always excited about a new game, few games have piqued my interest lately as much as the Sprawl; a cyberpunk RPG created by Hamish Cameron. Being a huge fan of both cyberpunk and the Apocalypse Engine, I knew I was going to run a game of the Sprawl as soon as I could. Thankfully my lovely fiancee decided to grab me a copy for Christmas last year. So, I brought the rules to my local gaming group, and we were off to the (cyber) races.

As is often the case with PBtA (Powered By the Apocalypse) games, I couldn’t have been less prepared for, or more happy with, the outcome of our first session. Over the course of a couple of hours, we created a deeply flawed and interesting future Detroit, filled it with broken characters and power-hungry corporations, and set the stage for some seriously fun sci-fi roleplaying.

Being someone who works with technology every day, cyberpunk has always held a certain appeal for me. Themes of trans and post-humanism; class struggle; the limits of privacy versus appeal of convenience; and the rise of corporate entities as first-class citizens are all things which we are bearing witness to in the real world, and the opportunity to extrapolate and explore potential consequences of these things is what keeps me coming back to things like Neuromancer, the Matrix, and their ilk.

And let’s be honest, as of late, some of these themes have been sliding across the line from “fiction” to “fact” pretty quickly.

The Thing Itself

Red-brown carcasses of ancient train cars spiraled out from the central terminal of the Railyard, a once bustling center of corporate freight and commerce, now a gestalt bazaar serving a different type of clientele, with a different type of trade. Market sounds and smells made war with each other as hawkers and hucksters blasted as much AR advertising as they had the cred for, each angling for the next sucker to draw in.

If I’m being totally honest, I was a little worried at the outset that the Sprawl was going to be too rigid in it’s execution. You see, where most PBtA games are somewhat free-flowing in their setups, the Sprawl works off the concept of the characters being professional operatives who take missions on behalf of one group, working against another, for profit. This restricts some of the more sandbox-esque aspects of Apocalypse Engine games, which is a little weird if you’ve played games like Dungeon World or Apocalypse World.

Of course, the Sprawl isn’t the first PBtA game to do this, and after reading through the rules, and watching the first Roll20 episode, I don’t think it’s going to be a problem at all.

Here’s what a mission (session) in the Sprawl looks like:

Get the Job — a move that both sets up the mission and creates potential consequences.

Legwork — a phase where the characters describe how they are prepping for the mission, and by doing so accumulate resources to spend during the Action.

Action — the phase where the characters actually do the mission at hand.

Get Paid — another move where the characters try and get paid by their contact, who most likely tries to screw them over, especially if they did poorly when they got the job.

Retaliation — the last phase, where the corporation the characters acted against (maybe) comes looking for payback.

Each phase feeds into the other, often through the concept of “clocks;” a way to measure a countdown towards a particular outcome. For example, during Legwork, the characters try to accumulate gear and intel for the upcoming mission. Doing so risks moving the “Legwork Clock,” forward, which is bad; the closer the Legwork Clock is to “midnight,” the more prepared the target of the mission will be for the characters, and the less they will get paid at the end of the mission.

As a side note, I think “clocks” are a brilliant concept in terms of tracking outcomes, and I’ve started using them in all of my games. If you don’t believe me, go watch some of the Roll20 GM prep sessions Adam Koebel did for Apocalypse World. That shit will change the way you prep for games.

Building a Better World

The Raft looked a lot cleaner than it actually was. Nothing the corps did could totally shake off the grime of greed and corruption that clung to the mega-arcology standing sentinel in Lake Eerie. It loomed like some towering beast over the skyline of Neo Detroit, but the menace was only skin deep; inside it was all cancer, rotting from within.

Another way in which the Sprawl distinguishes itself from other PBtA games is the heavy emphasis it puts on world building. Step 0 of character creation isn’t “pick a concept,” or “assign stats;” it’s “create corporations.” Cyberpunk is all about the consequences of letting corporate greed and power run amok, and by putting that front-and-center, the Sprawl lets the players set the tone of the game they want to play.

So, after deciding to set the game in a balkanized and tribal future Detroit (yeah, I know; Motor City just can’t catch a break), our group went about creating the faceless mega-corps that were going to be pulling the strings.

Well, kind of.

You see, one of the first decisions we made as a group was that the corporations had actually left Detroit in the past; after they sucked it dry of any potential profit. In their wake, several crime syndicates had taken hold, and after a while, started trying to legitimize themselves by taking on the trappings of corporations. Once they started making money, the old corporations took notice again, and returned to try and muscle their way back in. I was really pleased with this setup, because it added an extra layer of antagonism between our corps; the old “real” corporations, and the nouveau riche upstarts trying to keep the old guard out.

The group also decided that they wanted an African influence, which added a new thematic spin on things. I know there’s a large Somali-American population in Minnesota, so it wasn’t too much of a stretch for us to imagine that those groups might have moved into Detroit at some point.

Rounding out the setting was the idea that unlike most urban cyberpunk settings, Neo Detroit wouldn’t be a megaplex, or grossly-large city, per se. It would still be huge (10+ million people), but nothing on the order of the BAMA from Neuromancer, or California in Snow Crash. Instead, Neo Detroit would be a large urban area between larger megaplexes; the equivalent of a future “flyover” state. This would help keep our stories more local, which worked well with the themes of tribalism and community the group had established.

With the setting built, we got down to making corporations and characters, which was as smooth as pretty much any PBtA game I’ve played.

Characters Big and Small

Four figures sat huddled around a table in the back of the dining-car turned cheap bar, alternating between taking sips of cheap booze and chatting in low whispers with each other. The music in the place was too loud and too wrong for the decor, but that didn’t stop someone from listening in…

There were four players at the table when we created characters, and we ended up adding two more for the next session. Those last two didn’t get the chance to create corporations, but I’m ok with that; five is good number to get the setting moving, and if we decide we need more in the future, the new players can take first crack at creating them.

Our cast of corporations includes Bud Light Optics, Fisher Price & Wesson, FailSafe Corporation, Kellog’s Artificial Nourishment, and The Madmen.

To conduct operations in their shadow wars with each other, these faceless entities would be calling on the services of our Fixer, Killer, Pusher, Hunter, Tech, and Hacker. The Tech and the Hacker are our late additions, and will be completing their character setup at our next session.

As I said above, character creation was fairly straightforward, even when dealing with the Sprawl’s addition to the standard PBtA flow: cyberware.

In keeping with the genre, every character is required to take at least one form of cybernetic enhancement; be it cybernetic eyes, a neuro-jack, synthetic nerves, or something else. Aside from making each character cool, it also builds the fiction; cyberware isn’t cheap, and to get it the characters have to take any number of complications along with their chrome. Maybe they’re owned by the corporation which paid for it; or perhaps they paid for it themselves, and it’s dangerous or substandard. There’s plenty of good hooks in the process for an enterprising MC to take advantage of these tags, and I constantly found myself saying to the group “I promise that won’t come back to haunt you…”

The Aftermath

If you want to know how well this game handles world building and setup, all I can say is that each one of my players and I had a huge grin on our faces when we left the table that night. All of us are excited to see what happens in this unique world we’ve created, and that, more than anything, is a testament to how good the Sprawl is at what it does. I’ll try to keep these play reports coming, so I can collect my thoughts and critiques on the game.

If you’re looking for more examples of what the Sprawl looks like in play, I would highly suggest you check out the Roll20 actual play. It’s seriously good stuff.

Coming next week; The Sprawl — Session 1 play report. Stay jacked-in, cowboy.”

Kevin’s play report can be found here: https://medium.com/@kwhitaker81/the-sprawl-play-report-session-0-8f02de1dfa7a#.6m9pofwsu . Kevin will be running The Sprawl for the next 7 weeks Wednesday nights for the Houston Gauntlet via our meetup, https://www.meetup.com/gauntlet-rpg/ .

Just played a great game of Fiasco, but does The Soft Outcome still seem kinda super super harsh?

Just played a great game of Fiasco, but does The Soft Outcome still seem kinda super super harsh?

Just played a great game of Fiasco, but does The Soft Outcome still seem kinda super super harsh? It suited our story, but if you were going for Fiasco high, it’s more Ghost World than Breakfast Club.

The Hooded Luchador talks about the latest Gauntlet League Wrestling show.

The Hooded Luchador talks about the latest Gauntlet League Wrestling show.

The Hooded Luchador talks about the latest Gauntlet League Wrestling show. Heel turns, enforcers, brutality, and someone takes the DM Belt. Part of the Gauntlet Hangouts’ World Wide Wrestling promotion.

Actual Play Video: https://youtu.be/fHisP_u8nPc

https://youtu.be/-vs9TgycCbM